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T
H E SAW S T O R Y |
the sydney architecture walks [SAW] began in
a flurry during the summer olympics of september 2000, when eoghan lewis,
a young-ish bloke with questionable hair + tickets on himself, discovered
that sydneysiders couldn't give a stuff about architecture + design, and
were, surprisingly enough, more interested in sport than buildings [heathens!]. |
for
three weeks, he sat near the opera house steps, twice a day - every day, waiting and hoping that someone might turn up for a walk. no one
did. not even his friends! (he found out that they were more interested
in sport as well). anyway, our hero sat day after day until one day, one
and only one person came on a walk (the boyfriend of american gold-medal swimmer
misty hymen!, or at least thats what he claimed), and it was around about
then that he realised he was pretty keen on sport as well and would be stuffed if he was going
to sit a day longer feeling like a complete git when everyone else was
having a good go of it |
so
what
began as a rambling, gambling join-the-dots stroll between eoghan's favourite buildings
has since blossomed into FOUR BIG WALKS with
a hack team - sorry, crack team of passionate architect-guides. we're
great gossips when it comes to architecture and this big, brash, beautiful
and slightly daggy city of ours so buckle
up, hang on tight and come along to enjoy the ride |
ENOUGH ABOUT US |
| we love feedback on our walks, the city, the site and so on. email us at info@sydneyarchitecture.org with comments, questions, complaints or requests. if they're nice we might even post them on the site! |
the
only art that politics knows is the art of compromise [richard leplastrier | on east circular quay's controversial toaster development near the opera house] |
it
takes ten years to learn to draw, and then ten more to learn to draw like
a child [pablo picasso] |
'zero
tolerance' is a deadly mantra for a metropolis: what is a city if not
a space of maximum license? [rem koolhaas | on mayor giuliani's new york] |
i
have the opera house in my head like a composer has his symphony [jørn utzon | interview on abc tv | see SAW2] |
When the NSW Labor government of Joe Cahill settled on Utzon's design, with all its engineering problems, the city got tapped on the shoulder by a rainbow [paul keating ] |
why should the study of the banal itself be banal? Why wouldn't the concept of everydayness reveal the extraordinary in the ordinary? [henri lefebvre ] |
i love the clouds... the clouds that pass... up there... up there... the wonderful clouds! [Baudelaire ] |
The real master in the art of living makes little distinction between his art and his leisure, he simply pursues his vision of excellence in whatever he does leaving others to decide whether he is working or playing, To him he is always both [glenn murcutt quoting a zen budhist statement in his greeting on utzon's 90th birthday ] |
architecture
is not about the conditions of design, but about the design of conditions
that will dislocate the most traditional and regressive aspects of our
society and simultaneously reorganize these elements in the most liberating
way, where our experience becomes the experience of events organized and
strategized through architecture [bernard tschumi] |
