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| T H E SAW S T O R Y |
| the sydney architecture walks [SAW] began in a flurry during the summer olympics of september 2000, when eoghan lewis, a young-ish bloke with questionable hair + tickets on himself, discovered that sydneysiders couldn't give a stuff about architecture + design, and were, surprisingly enough, more interested in sport than buildings [heathens!]. |
| for three weeks, he sat near the opera house steps, twice a day - every day, waiting and hoping that someone might turn up for a walk. no one did. not even his friends! (he found out that they were more interested in sport as well). anyway, our hero sat day after day until one day, one and only one person came on a walk (the boyfriend of us gold-medal swimmer misty hymen, or at least thats what he claimed), and it was around about then that he realised he was pretty keen on sport as well and would be stuffed if he was going to sit a day longer feeling like a complete git when everyone else was having a good go of it |
| so what began as a rambling, join-the-dots stroll between eoghan's favourite buildings has since blossomed into FOUR BIG WALKS with a hack team - sorry, crack team of passionate architect-guides. we're great gossips when it comes to architecture and this big, brash, beautiful and slightly daggy city of ours so buckle up, hang on tight and enjoy the ride |
| ENOUGH ABOUT US |
| we love feedback on our walks, the city, the site and so on. email us at info@sydneyarchitecture.org with comments, questions, complaints or requests. if they're nice we might even post them on the site! |
| the
only art that politics knows is the art of compromise [richard leplastrier |on east circular quay's controversial toaster development near the opera house] |
| it
takes ten years to learn to draw, and then ten more to learn to draw like
a child [pablo picasso] |
| 'zero
tolerance' is a deadly mantra for a metropolis: what is a city if not
a space of maximum license? [rem koolhaas | on mayor giuliani's new york] |
| i
have the opera house in my head like a composer has his symphony [jørn utzon | interview on abc tv | see SAW2] |
| why should the study of the banal itself be banal? Why wouldn't the concept of everydayness reveal the extraordinary in the ordinary? [henri lefebvre ] |
| i love the clouds... the clouds that pass... up there... up there... the wonderful clouds! [Baudelaire ] |
| architecture
is not about the conditions of design, but about the design of conditions
that will dislocate the most traditional and regressive aspects of our
society and simultaneously reorganize these elements in the most liberating
way, where our experience becomes the experience of events organized and
strategized through architecture [bernard tschumi] |
